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E-M10 Mk2 - 14-42mm EZ - 40-150mm ED - Falcon 8mm Fisheye - FL-36R
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Maybe it's a geologist noting that that work was the only one in it's original position "Rock in Place"
# 1 for me as a picture, but I do think the tone mapping is a bit too much
Regards
Andy4/3 Kit E510, E30 + 35macro, 11-22, 14-45 (x2), 14-54, 40-150 (both types), 70-300,
m 4/3 EM1MkII + 60 macro, 12-100 Pro, 100-400
FL20, FL36 x2 , FL50, cactus slaves etc.
The Boss (Mrs Shenstone) E620, EM10-II, 14-41Ez, 40-150R, 9 cap and whatever she can nick from me when she wants it
My places
http://www.shenstone.me.uk
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http://cardiffnaturalists.org.uk/
http://swga.org.uk/
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Re: Rip
Thanks Andy, it sure was a strange place on the top of a mountain, I think I could hear guitars playing (Deliverance
)
Yeah the HDR is OTT, but I was trying to learn how John Musicman gets his HDR so dramatic, I usually use the technique of creating HDR from different exposures of a RAW file, on these shots I used proper JPEG bracketing and found it much better, esp for movement in clouds
E-M10 Mk2 - 14-42mm EZ - 40-150mm ED - Falcon 8mm Fisheye - FL-36R
Wedding Photography Wales | Commercial Photography | Party Photographer Cardiff | Cheap Business Cards | Photoshop Training Cardiff
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Re: Rip
Hehe... my shots all have different settings applied in Photomatix Steve, depending on my mood, the subject and its composition.Originally posted by stevednp3 View PostThanks Andy, it sure was a strange place on the top of a mountain, I think I could hear guitars playing (Deliverance
)
Yeah the HDR is OTT, but I was trying to learn how John Musicman gets his HDR so dramatic, I usually use the technique of creating HDR from different exposures of a RAW file, on these shots I used proper JPEG bracketing and found it much better, esp for movement in clouds
I can state one thing though, I NEVER have the Light Smoothing setting below the middle radio button - each to their own, but those positions are used for the garish and very ugly side of HDR/Tonemapping imho.
John
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Re: Rip
Thanks John, I used the 2nd light setting on these
I felt it worked well on the rocks, but still learning and its all good fun
All your tonemapped shots are very inspiring, Im goner post process some more later and would love for you to let me know your thoughts.
E-M10 Mk2 - 14-42mm EZ - 40-150mm ED - Falcon 8mm Fisheye - FL-36R
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E-M10 Mk2 - 14-42mm EZ - 40-150mm ED - Falcon 8mm Fisheye - FL-36R
Wedding Photography Wales | Commercial Photography | Party Photographer Cardiff | Cheap Business Cards | Photoshop Training Cardiff
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The second batch are better and I do like No3. No 2 is also good, but note that the clouds near the top of the frame have become unnaturally blue, indicating a little too much processing.
John
"A hundredth of a second here, a hundredth of a second there � even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity." ~ Robert Doisneau
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Re: Rip
I'd agree with Johns comments, the UK sky seldom tends to that vibrant blue which is more associated with near space. (though a polariser can produce a similar appearance).
Just a reminder that Photomatix has a 'natural' pre-set, it is actually quite a good starting point for creating natural looking images, particularly if you've shot over a reasonable range.
Nick
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Thanks for the further comments, hdr can produce nice looking natural shots, when you dont over do it
Yes I did overdo it a little on no2, I used photomatix to produce the HDR and then I saturated the colours more in photoshop and thats where the clouds have blown in colourE-M10 Mk2 - 14-42mm EZ - 40-150mm ED - Falcon 8mm Fisheye - FL-36R
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