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Thanks, Danny - I'd go along with that. The second one was used on a local magazine cover, although I hadn't left enough room at the top to get the weathercock in and then some. At some point I'm going to try for a spooky one at nightfall, or maybe in warmer months one at midnight (for the clock). Some problems with this particular shot:
- prefer to have both graves and clock in focus (distance between graves and tower base is roughly 75 ft, plus elevation for the clock).
- in daylight, dynamic range between dark yews and bright sky/white cladding of tower
The second one above was in fact a composite of two shots, one for the graves and one for the clock. The top one, though processed HDR, is the scene as it is.
The church clock and gravestones makes for a very apt title, Keith.
Though perhaps you should have taken the first at Sunrise, the second at Noon and the third at Sunset!
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