I have been reading several different views on “purism photography”, many of which decry not only the images but also the people who aspire to produce pictures without the use of post processing.
Most of my photography was done with slide film, which apart from masking and aligning in a mount was about as pure as you can get. Lately I’ve been using my iPhone images and those taken with the cameras full auto mode, far more often without any processing, but still I crop (often to square format) and align where desired.
When I worked in a studio, the aim was to get the image as wanted in the camera, using meters to get the lighting as required and even using a Polaroid back to check the results were as required. Now with tethered shooting, we can see instantly what we will get.
I appreciate the power of post processing and the skill of those that can manipulate an image to achieve their desired objectives. This too is akin to my handing over negatives to a printer, who would work their “darkroom magic” to deliver prints that were superior to my attempts... Now I can see everything happening before my eyes in post processing, I can, debatably, improve my pictures.
Something I have commented on previously, is the attribution of the cameras used in exhibition pictures, when there is never any mention of the post processing software used. I really wonder how anyone can attribute an image to a certain camera, when the end result has been through several different system of processing. The latest thread on Topaz de-noise, added to my thoughts on this, as I had a look at their website and saw they even have a jpg to RAW converter...
When the end result becomes so far removed from the beginning, and the purists are dismissed, have we followed the path of illusion into the world of the truth being what we make it...
Most of my photography was done with slide film, which apart from masking and aligning in a mount was about as pure as you can get. Lately I’ve been using my iPhone images and those taken with the cameras full auto mode, far more often without any processing, but still I crop (often to square format) and align where desired.
When I worked in a studio, the aim was to get the image as wanted in the camera, using meters to get the lighting as required and even using a Polaroid back to check the results were as required. Now with tethered shooting, we can see instantly what we will get.
I appreciate the power of post processing and the skill of those that can manipulate an image to achieve their desired objectives. This too is akin to my handing over negatives to a printer, who would work their “darkroom magic” to deliver prints that were superior to my attempts... Now I can see everything happening before my eyes in post processing, I can, debatably, improve my pictures.
Something I have commented on previously, is the attribution of the cameras used in exhibition pictures, when there is never any mention of the post processing software used. I really wonder how anyone can attribute an image to a certain camera, when the end result has been through several different system of processing. The latest thread on Topaz de-noise, added to my thoughts on this, as I had a look at their website and saw they even have a jpg to RAW converter...
When the end result becomes so far removed from the beginning, and the purists are dismissed, have we followed the path of illusion into the world of the truth being what we make it...


Comment