Re: So what made you Choose Olympus then?
My 35mm were Minolta 7 series and very good they were too. I'd probably have stuck with the brand if they'd been quicker off the mark into digital.
I spotted a second hand C3040 in Jessops about six years ago at a price that made digital experimentation worthwhile. Shortly after I had to write up an event for a magazine and asked the editor whether he wanted digital or 35mm. He said 35mm but I took both and in the event he only used the digital, after which I hardly took a trannie.
I then paid what seemed like a fortune for an E20. It was almost the ideal camera. The 35-140 equivalent lens covered most of the range in which my photographic sins are committed and it had enough knobs and switches to keep me happy. The only drawbacks were the NiMh batteries which are more hassle than Li-on and the snail like speed of the electronics. With the TCon14 converter it took some lovely wildlife shots at fixed 200mm equivalent on a trip to game parks in SA. If there was an E30 I'd be tempted not to bother with 4/3rds.
A friend then showed me an E300 which overcame most of the shortcomings of the E20 so I bought an E500 kit. Subsequently I added an E1 and upgraded to the better quality lenses. The remaining Minolta stuff, the C3040, E20 and E1 went late last year to fund the E3, with which I am well pleased. The E500 remains as a backup. As you'll know from my other postings I'm less than happy with the way the E3 promotion has been handled.
I have to confess that I was also influenced in the 4/3rds direction by Patrick Litchfield who I had the pleasure of meeting on some non photographic occasions. Unsurprisingly he was very much in favour and you couldn't resist an old smoothie like him. It's sad he is no longer around and that David Bailey is not the photographic force he once was. Olympus could do with another couple of high profile photographers to boost its image.
My 35mm were Minolta 7 series and very good they were too. I'd probably have stuck with the brand if they'd been quicker off the mark into digital.
I spotted a second hand C3040 in Jessops about six years ago at a price that made digital experimentation worthwhile. Shortly after I had to write up an event for a magazine and asked the editor whether he wanted digital or 35mm. He said 35mm but I took both and in the event he only used the digital, after which I hardly took a trannie.
I then paid what seemed like a fortune for an E20. It was almost the ideal camera. The 35-140 equivalent lens covered most of the range in which my photographic sins are committed and it had enough knobs and switches to keep me happy. The only drawbacks were the NiMh batteries which are more hassle than Li-on and the snail like speed of the electronics. With the TCon14 converter it took some lovely wildlife shots at fixed 200mm equivalent on a trip to game parks in SA. If there was an E30 I'd be tempted not to bother with 4/3rds.
A friend then showed me an E300 which overcame most of the shortcomings of the E20 so I bought an E500 kit. Subsequently I added an E1 and upgraded to the better quality lenses. The remaining Minolta stuff, the C3040, E20 and E1 went late last year to fund the E3, with which I am well pleased. The E500 remains as a backup. As you'll know from my other postings I'm less than happy with the way the E3 promotion has been handled.
I have to confess that I was also influenced in the 4/3rds direction by Patrick Litchfield who I had the pleasure of meeting on some non photographic occasions. Unsurprisingly he was very much in favour and you couldn't resist an old smoothie like him. It's sad he is no longer around and that David Bailey is not the photographic force he once was. Olympus could do with another couple of high profile photographers to boost its image.
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